To add a black fill to the mask, click on the Black color square. In the Layers panel, click on the little arrow next to the layer mask thumbnail. To create a layer mask for the vector object, double-click on the vector layer. Select the Background layer and drag it below the vector object. This creates a smart object containing both layers. Go back to the Layers Panel and right-click on the background layer.įrom the context menu, choose Convert to Smart Object. In the Stroke dialog box, set the width to 5pt. Right-click on the vector object and choose Stroke from the menu. We need to give our vector object a stroke. Your rectangle has been converted into a vector object. Press Shift+S to enter the Shape Settings dialog box. Select the Rectangle Tool and press Shift+Alt/Option+M to activate the Shape Selection Tool. Next, we need to convert our path into a vector object. Once you reach the edge, release the mouse button. A blue line will appear where you clicked.ĭrag the line until it reaches the edge of the canvas. To do this, hold down Alt/Option+click anywhere on the canvas. Now select the Brush Tool and click inside the canvas. Make sure the Fill Color is set to white (FFFFFF). We’re going to start off by adding a layer mask. Next, let’s import an image.įirst, we need to prepare our image. For this tutorial, I’m going to start with a 300x300px canvas. Let’s get started! First, open up a new document in Photoshop. And because they are smaller, you won’t take up as much space on your hard drive. So if you are sending someone a file online, it will load faster. If you need to resize something, move it around, or recolor it, you can do all of these things with ease.įinally, vector files are much smaller than their pixelated counterparts. The second big benefit is that you can manipulate your designs however you want. The main advantage of using vectors over rasterized images is that once you have created your design, you can scale it infinitely without any loss of quality. One skill that may seem intimidating at first is working with vectors instead of pixels.īut when you understand what makes vectors so special, you’ll see why they are such a powerful tool. The best way to do this is by learning new skills. You should try as many different techniques as possible. When creating digital art, there’s no reason not to go all out. Then we will use the Pathfinder panel to combine our paths into one shape.Īfter that, we will apply some basic color adjustments to make it look more realistic. In this tutorial, we will learn how to use the Pen Tool to draw freehand lines on top of your existing artwork. Vector graphics are great for logos, illustrations, icons, and other design elements. Now you can scale the vector to any size and easily change your vector color with the Color Picker, make a new background layer to fill with any color or simply turn off the Background layer to have it over a transparent background.This means you can change colors, shapes, and even add text. In the Color Picker window pick any color that you want and click OK. Name this layer as “Vector” and click OK. Go to Layer > New Fill Layer > Solid Color. In the Layers Panel click on the “Create a New Layer” icon. In the Make Work Path window, set the Tolerance to 1 or 1,5 pixels and click OK. From the dropdown menu select “Make Work Path”. With the selection active, select the Rectangular Marquee Tool (M) and right click over the selection. When you are happy with the selection click OK. In this case I will set the Fuzziness to 100% and the Range to 150. Select “Shadows” from the dropdown menu and adjust the Fuzziness and Range to your liking. With the merged layer selected go to Filter > Blur > Gaussian Blur. Step 10Īt this point you can remove all the unnecessary details using the Brush Tool (B) with black and white colors. Once you are happy with the Threshold result, go to Layer > Merge Visible. In this case a value of 138 will work just fine. Step 8Īdjust the Threshold level according to the image you are using. Name this layer as “Threshold” and click OK. Go to Layer > New Adjustment Layer > Threshold. In the Layers Panel set the blending mode of the “High Pass” layer to Vivid Light. With the “High Pass” layer selected go to Filter > Other > High Pass. Name this layer as “High Pass” and click OK. In the Diffuse window select the Anisotropic Mode and click OK. Step 3Īgain, go to Filter > Stilyze > Diffuse. It does not need to be a Black and White or a Grayscale one, any Color image will work as well. But before we begin, and if you want to follow this tutorial exactly as described, please download the following image from Pixabay.
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